When American Heiress, Millicent Wright, travels to Devonshire, England to become better acquainted with Sir Oliver Longbourne, she has no idea she’ll be the heroine at the center of her own gothic novel. Her mother, on the other hand, wants Millicent married and who better than an English titled husband? Millicent is reluctant because she knows there’s only one reason why Longbourne would want to marry her: she’s an heiress and it’s apparent he needs the money. In the late 19th century, cash strapped English aristocrats married American heiresses, who were part of the nouveau riche, in exchange for a title that would earn them a place in high society. Millicent is aware of Longbourne’s interest as well as everyone present at Buckfast Hall, Longbourne’s estate. When Longbourne is murdered in front of his guests, everyone becomes suspect. Will Millicent unmask the culprit before another victim is claimed?
Dara England’s Death on Dartmoor has a gothic feel to it in terms of plot and language. Readers familiar with the gothic novel will be familiar with the set up. The writing is polished and the language is appropriate for the time period. It doesn’t sound too modern and it was just a delight to read. Characters are relatable and flawed. In terms of a suspect, we’re introduced to Amelia Shepherd, the daughter of a local physician and neighbor to Longbourne; she was once a prospective bride to Longbourne. Millicent begins to suspect Amelia, after all people have been known to commit murder for being jilted. Along with the murder, Millicent has to deal with the Longbourne curse. Several events point to the family being cursed and while Millicent doesn’t exactly believe in it, she has a hard time explaining certain events.
As far as the mystery goes, the clues are fairly easy to pick up on, but nevertheless it was an intriguing read. The reasons for key events are thoroughly explained and one can’t help but feel heartbroken at not being to help. Although we do have a detective assigned to the house, it’s Millicent who makes up her mind to help solve the murder. At one point she tells Lockwood, she’s read gothic novels and knows how investigations are conducted. He’s reluctant to have her assistance, but she goes out to prove him wrong. Unfortunately, her investigation doesn’t go as planned, but nevertheless, Lockwood has to agree she’s an important asset to the investigation. There was one instance, though, I wish she had spoken with Lockwood regarding an incident involving Longbourne’s grandmother. I understand why it was set up the way it was, but I can’t help but wonder what Lockwood’s reaction would have been, had he been privy to this piece of information.
There’s a hint of romance between Millicent and Lockwood. I’m hoping they’ll wind up together. We’ll just have to wait and see if her mother manages to successfully bring up a titled gentleman up to scratch. Although I can imagine Mrs. Wright having a fit of the vapors at the thought of her daughter marrying a detective!
Death on Dartmoor is a delightful read. If you have a few hours to spare and are fan of gothic mysteries, I highly recommend picking this up. I’m looking forward to reading more of England’s work.